PRESS
Krista Sher Selico on Big Beautiful Music, Perfectionism and Reimagining Opera
In this FAULT Magazine interview, classical crossover soprano Krista Sher Selico discusses her debut project, Big Beautiful Music, and her mission to prove that opera is a living, breathing art form rather than a museum piece. She shares how she “strips away the diva” to approach legendary arias with vulnerability over technical perfection, drawing inspiration from her musical lineage, including her great-aunt Marie Selika Williams. Recorded with a full symphony orchestra in Los Angeles, the project honors historical traditions while giving classic compositions a fresh, modern pulse.
Read full interview on FAULT Magazine — By FAULT Magazine Staff Member
An Introduction to Pop Classical Powerhouse Krista Sher Selico
This House of Solo interview introduces pop-classical vocalist Krista Sher Selico, who bridges traditional bel canto opera with modern, late-night sounds. Tracing her journey from training at institutions like USC Thornton to collaborating with producer Mark Batson and composer Nathan Wang, the profile highlights her cinematic scale. It also explores her familial legacy as a relative of pioneer Marie Selika Williams and her transition from interpreting historical arias to penning original compositions.
Read full interview on House of Solo — By Abeiku Arthur
Krista Sher Talks Debut EP Big Beautiful Music and Breaking Musical Boundaries
In this Music Talkers interview, Los Angeles-born soprano Krista Sher discusses her debut symphonic EP, Big Beautiful Music, and her mission to merge classical opera with contemporary pop, cinematic, and video game soundscapes. Drawing from a rich musical upbringing spanning New Orleans gospel roots and a familial legacy through legendary soprano Marie Selika, she opens up about overcoming industry boxes to forge her own unique cross-genre path. She also touches on the multilingual nature of her craft and what fans can expect from her immersive live showcases.
Read full interview on Music Talkers — By Andrew Braithwaite